Black & white movies are good (really)
Younger friends and family members routinely say they won’t watch black & white movies. Contrary to what they may...
Get Started Fast with Media Composer for High-Res Workflows—Part 3
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
Get Started Fast with Media Composer for High-Res Workflows—Part 2
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
Get Started Fast with Media Composer for High-Res Workflows—Part 1
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
The other DAM TV jingles like Mr. Cutting A Promo For A Lame Show Guy
As the year winds down I thought it would be fun to revisit some comedy bits that all editors...
Media Composer 101 – Lesson 17 – Bin Layouts/Displays
In this lesson, Kevin P McAuliffe wraps up his looks at Bins in Avid Media Composer by talking about...
ART OF THE CUT with “Spotlight” editor Tom McArdle
Tom McArdle has 35 credits as an editor, including five films with director Tom McCarthy, the latest of which...
VARIETY BEST EDITING OSCAR PREDICTIONS – Your opinion?
Variety has posted its predictions for the Oscar nominees. What do YOU think of the PREDICTIONS for Best Editing nominations?
Art of the Cut with Fred Raskin, editor of HATEFUL EIGHT
Fred Raskin, A.C.E. has edited a number of great projects including 2014’s “Guardians of the Galaxy” and “Fast and...
Norman Hollyn discussing editing for L.A. Post Fest
Norman Hollyn, among many other things, is one of the judges for the L.A. Post Fest, an editing competiton...
