Final Cut Pro X to Logic Pro X
Many video editors turn to an audio professional to mix and sweeten their audio after picture lock. Or they...
After Effects Hidden Gems Weekly: Automatic Fades
As we’ve said many times, After Effects is not an NLE – but often, it’s easier to keep everything...
Defining and customizing your production-to-post workflow with Catalyst Prepare and Catalyst Edit
The way in which technology has and continues to change how film and TV professionals work is a topic...
Long Term Test continues: Dell Precision M3800 – software, OS (and Thunderbolt)
On the last installment of this Long Term Test of the Dell Precision M3800 we looked mainly at the...
Glitches, damage, flickers, & distortions in After Effects & Premiere Pro
Glitchify for After Effects + Glitchify sounds, from Mikey Borup and Cinema Spice, joins a growing number of tools...
Art of the Cut with Joe Walker on “Sicario”
This is a deep-dive of “Art of the Cut” editing wisdom from Joe Walker. I first spoke to Joe...
Wipster says goodbye to traditional pricing structure
We’ve showcased how many review and approval options are available for video pros, but Wipster’s solution is one that...
Locating Libraries with Smart Folders
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can use a feature in...
Microsoft Surface Book: is it really twice as fast?
Microsoft has released their Surface Book laptop, dubbed the “MacBook Pro Killer” by some in the press.
REVIEW – Titler Pro 4 for AVX from NewBlueFX
If you’re a Media Composer editor, and you haven’t checked out Titler Pro 4, you’re missing out on one...
