Audio post workflow for the feature film, “War Room”
This is the third and final article in the post production process for the theatrical feature film War Room which I...
Choose a video monitor for editing & connect it the best way
People frequently ask about how to choose and connect a video monitor to their computerized editing system. Some people...
Building Projections – Preview & Testing
When producing large scale video projections it’s important to establish some type of preview, to guage how the content...
Publishing a shape from Motion to Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can once again use Motion...
Media Composer 101 – Lesson 12 – Import Settings Part 1 – Supported Codecs
In this lesson, Kevin P McAuliffe talks about your Import settings, and focuses in on a very important aspect...
Motion Tracking, After Effects, and CINEMA 4D Lite
After Effects features a 3D Camera Tracker that examines already-shot footage and attempts to reverse-engineer where the camera was...
Track objects in Adobe After Effects automatically, intuitively, precisely and quickly with fayIN
IBC featured no shortage of new products and updates, and the promises made about the impact such things will...
Media Composer 101 – Lesson 11 – Grid Settings & 4×3 Safe in 16×9 projects
In this “back to basics” lesson, Kevin P McAuliffe talks about Grid settings inside of Media Composer, and why...
After Effects Hidden Gems Weekly: Mixing Audio
After Effects offers two ways to adjust the volume of an audio layer: the Levels parameter in the Timeline,...
Mercalli® V4 Suite from proDAD is now available for Sony Vegas Pro
We’ve previously covered what Mercalli V4 can do to and for footage, and it’s no small feat. As Bruce...
