Media Composer 101 – Advanced – Archiving your Project Part 3 – Automatic Duck’s Media Copy
In this lesson, Kevin P McAuliffe goes further in-depth into archiving your Media Composer projects by looking at another...
Codecs, Codecs, Codecs – The most confusing aspect of editing
As the title says, Codecs are probably the single most confusing thing in editing, especially in Media Composer. Most...
Adobe Premiere Elements 14 offers initial 4K UHD support
Adobe’s consumer division just announced Premiere Elements 14 and Photoshop Elements 14, including many new features. One of the...
Pulling a difficult key in Final Cut Pro X
On this week’s Under 5 minutes, I provide some tips on how to key highly compressed footage shot against...
Performance auditions in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us a great tip for using auditions in...
Ideal storage for 4K video workflows released
QNAP has just announced the TVS-871T, which is the first NAS that has storage that can be configured for...
After Effects Hidden Gems Weekly: Preserve Frame Rate
After Effects is a very logical program if you know it works underneath the hood, and a baffling mystery...
Post Production workflow for feature film “War Room” Part 2
This is the second in a three part series on the post production workflow of the Number 1 movie,...
The Future of After Effects: feature requests, nodes, GPU
Adobe is nearing release of the “IBC” update to video apps in Creative Cloud 2015, which itself was just released in...
Bigger, brighter, bolder – the evolution of large scale video projection
In 2009 I had never heard of projection mapping, or building projections, so when a friend of mine emailed...
