Telestream upgrades Switch; adds US$49 middle tier
In August of 2014, I published my first review about Switch called Telestream’s Switch aims to overtake & surpass QuickTime...
Media Composer 101 – What’s New in Media Composer 8.4
In this lesson, Kevin P McAuliffe goes over the new features in 8.4 of Avid Media Composer including true...
Quick and Dirty Title Treatments in Final Cut Pro X
On this week’s Under 5, Steve Martin from Ripple Training shows us how to create some great backgrounds using...
Saving Transform Presets in FCP X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how we can save our carefully crafted...
After Effects Hidden Gems: Replace Source
It’s not uncommon to working on a layer in a composition – including editing its duration, adding effects, or...
Are you, as an editor, defined by the NLE that you use?
Are you defined by the NLE you use? If you answered no to that question you can probably stop...
Delivering an All-in-One Production/Post Solution to the Chinese Market and Beyond
You don’t have to look too far to realize the power of the Chinese marketplace. Jurassic World just had...
Media Composer 101 – Advanced – Editing Music Videos Part 5
There are so many times that editors get footage that producers think might be unusable, and we always seem...
MODO 901 Simplifies What You’re Doing and What You Want to Be Doing
The recent update to MODO represents far more than just a technology upgrade. Version 901 certainly does deliver new...
The Big Little things editors will love in the Adobe Premiere Pro CC 2015 release
It’s mid-June 2015 and the Adobe Creative Cloud update that was promised before NAB has shipped. While most all...
