Editors: Do you prefer more shorter clips or less longer clips?
I was recently working on an edit that used footage captured by two shooters covering a weekend event. The...
Art of the Cut with Fabienne Bouville, ACE
Fabienne Bouville, ACE, will be among a select group of editors featured in Manhattan Edit Workshop’s Sight, Sound and...
Pro Tools First from Avid is very powerful yet free. Who should use it?
Back in February, I published an article called: 48 reasons why GarageBand is kryptonite for video production. At that point,...
Adobe Cloud Needs a Cinematographer’s Plan
With the price of Lightroom 6 up on the $150 mark and the special prices Adobe offers until the...
NAB 2015 Wrap-up. Winners, Losers, Drones and Escalators
With another NAB in the books it’s time to take a look back on what we saw, where we...
Tracking 3D Text in Motion
In this episode of Motion Magic, I demonstrate one way of integrating floating 3D text into a scene using...
The Art of the Cut: With Andy Grieve, editor of “Going Clear”, “We Steal Secrets”, “The Armstrong Lie” and others
Andy Grieve will be among a select group of editors featured in Manhattan Edit Workshop’s Sight, Sound and Story...
THAT Studio Panel Empowers Editors, VFX Artists, and Independent Filmmakers
Most companies wait for NAB to arrive before they roll out their announcements, but Kanen Flowers and his THAT...
3D Symbols in Motion
This week on MacBreak Studio, I show Steve Martin from Ripple Training how to have some real fun in...
After Effects Hidden Gems Weekly: Guide Layers
Using After Effects is often the art of combining multiple layers and elements to create a pleasing final composite...
