After Effects Hidden Gems: Color Working Space
Not all pixels are created equal. Different devices often use different internal representations for the same color we see....
The Terence and Philip Show Episode #68: Planning for the Future
To listen to the Terence and Philip Show, episode #68, where Terence Curren and Philip Hodgetts talk through the...
Ryan Connolly and Seth Worley Discuss Film Riot’s Epic Summer Film Project
News about the second installment in the Epic Summer Film Project was announced last month with the premiere of...
Hues on first – easy and fast colour correction
Colour correction is one of the most important aspects of compositing and visual fx. This quick tip will show...
Media Composer 101 – Advanced – Editing Music Videos Part 4
In this lesson, Kevin P McAuliffe continues his look at editing music videos by starting to talk about effects...
The Foundry Enters New Markets with the Support of Their New Owner
For the past few months, rumors about who might purchase The Foundry were swirling almost as much as the...
Punching Up a Shot in Final Cut Pro X
In this week’s Final Cut Pro X Under 5, we look at a quick color grade of a shot...
New Audio Features in Final Cut Pro 10.2
This week on MacBreak Studio, Steve Martin from Ripple Training reviews a couple of new audio commands that were...
After Effects Hidden Gems: Conform Frame Rate
Have you ever had a mysterious problem in After Effects where frames are repeated, skipped, or even missing? Chances...
Final Cut Pro X: New Titles and Special Effects
Presets are a special kind of magic when it comes to workflows. Pixel Film Studios has a huge collections...
