From the BBC: Secrets of a top TV editor
I recently got an email from filmmaker and journalist Gavin Rees pointing to a video on the BBC website...
RED+FCP+Color: Making It All Work
I had previously reported that 2K REDCODE footage (2048×1152), shrunk to 93.75% to fit an HD timeline in FCP,...
Newsletter Update
A few weeks ago, we published our fourth electronic newsletter: PVC Pipeline | Production, which included a pair of...
Newsletter Update
A few weeks ago, we published our fourth electronic newsletter: PVC Pipeline | Production, which included a pair of...
Very funny and true video on Edit Etiquette
Joy Moeller – EditQuette from Art+Copy Club of Kansas City on Vimeo. Shane over at Little Frog in Hi-Def...
You CAN have a large timecode display in Final Cut Pro
Avid Media Composer has long had a handy little tool called the Timecode Window. Accessed via Tools > Timecode...
Newsletter Update
A few weeks ago, we published our third newsletter: PVC Pipeline | Distribution, covering a wide range of subjects...
Tip: Browse After Effects Scripts as if Looking for Plug-ins
The point of scripts in After Effects is to reduce tedious tasks, although the best of them effectively add...
A whole mess of Apple Pro App technical documents updated
I awoke this morning to find a lot of RSS updates to a number of Apple articles regarding a...
5 Things I Learned in the Scene to Scene Color Correction Session
Monday at NAB I saw in on a session by colorist Robbie Carman called Match It: Scene to Scene...
