Final Cut Pro to YouTube
What people tend to forget is that you are sending YouTube a master for them to compress; therefore, send...
NLEs Are Still Too Expensive?
There has been a lot of noise lately from some folks that even the new Avid hardware pricing is...
Final Cut Pro – The Dividing Line
When dragging tracks in the Timeline, where you drag is as important as what you drag. Careless dragging may...
JL Cooper Eclipse panel
One of the reasons I got into this business in the first place was for the cool LCD displays,...
Adobe Demos Future Technology At NAB
Adobe showed some awesome stuff at NAB. My favorite was a future version of Premiere that transcribes your footage,...
Final Cut Server Now Shipping
From Apple’s website: Apple today announced that it has begun shipping Final Cut Server, a powerful software solution for...
Working with RED Footage
For my unfair comparison of three cameras, I had to process RED clips to a greater degree than I...
Red to Avid Workflow Utility
Rainer Standke, longtime participant on the FCP-L and Avid-L2 mailing lists, editor, and software developer, has released XMiL Sequencer....
Mammoth HD – Rolls Out the RED (4K)
Mammoth HD’s new MHD/RED Library opens with footage shot on the RED Digital Cinema – RED ONE Digital Camera....
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
