Color Management Part 1: The Honeymoon is over.
Welcome to the first part of my new series on color management. Although it’s exciting to launch a new...
Editors on Editing Podcast w/ “Belfast” Editor Úna Ní Dhonghaíle
On todays episode of Editors on Editing, Glenn talks with “Belfast” editor Úna Ní Dhonghaíle. You likely know Úna...
An update on Kyno and what might be in store for the future of this fantastic piece of post-production software
For years now I have professed my love for Kyno as an integral part of a post-production workflow. It...
GeekTip™: Use an adjustment layer for a 2x vectorscope in FCPX
Behold the vectorscope in Final Cut Pro X, and glory in its limited options: You can set it up...
Samsung Galaxy S22 smartphones aim to break the rules of light
Ready to break the rules of light? Samsung suggests its Samsung Galaxy S22 can turn low light moments into...
Art of the Frame Podcast w/ Olympic Games Post Production Editor Rob Weir
*Cue Olympic Theme Song* Welcome to this special Friday episode of the Art of the Frame Podcast! On todays...
Practical AI: Spleeter – Music decomposition aka Unbaking a cake
Intro This article about Spleeter is the first in a series here at PVC that’s going to focus on...
Avid’s new NEXIS | EDGE allows post-production workflows from anywhere and looks a lot like a good proxy workflow
Avid has announced new technology called NEXIS | EDGE that is being touted as an “innovative new software option...
After Effects Roundup January 2022
We’re in between releases for After Effects, although NAB 2022 is only a few months away. The year begins...
Review: HP DreamColor 4K Z27xs G3 “junior” monitor for video grading & editing
Here is my review of the DreamColor Z27xs G3 “junior”(affordable) (MSRP US$674) based upon the review unit I received...
