Editors on Editing w/ “No Time To Die” Editors Tom Cross, ACE & Elliot Graham, ACE
The Editors on Editing Podcasts brings the fantastic conversations that Glenn Garland has with world renowned editors into your...
Review: DxO PhotoLab 5 supports X-Trans sensors and is faster now
Support for Fujifilm X-Trans is now included, as the latest version of DxO PhotoLab expands its photo library features,...
New MacBook Pros, new M1 Pro and M1 Max chips and Final Cut Pro 10.6 in today’s Apple Event
It was a big Apple day for pro users after today’s Apple Event as the long rumored and redesigned...
Final Cut Pro 10.6 New Features
Full dot releases for both Final Cut Pro and Motion today with a few new and interesting features. First,...
Is too much Resolution too much of a good thing?
For decades, the push for resolution in electronic cameras was practically a war, a way of life, an epic...
Canon EOS VR System is compatible with Pico VR headsets
ProVideo Coalition has confirmed that Canon’s new VR lens is compatible with more headsets than the Quest 2, and...
Binning it: Understanding layer rendering order in After Effects
After Effects revolves around a layer-based timeline, and this core functionality is largely responsible for defining what After Effects...
Rendering 45 percent faster using Multi-Frame Rendering in After Effects on “The Voice”
Over his accomplished career, Anderson has worked on some of television’s biggest events, including the Oscars, the Grammy Awards,...
How to choose the best hardware for Multi-Frame Rendering in After Effects
Multi-frame rendering is currently available in Adobe After Effects Beta. Introduction With the new 22.x version of After Effects,...
Canon RF5.2mm F2.8 L Dual Fisheye: a world’s first for VR capture
The world’s first digital interchangeable dual fisheye lens capable of shooting stereoscopic 3D 180° VR imagery to a single...
