REVIEW: Dehancer Film Emulation Plugin
Camera technology is getting better and better; 6K, 120fps, Full Frame, HDR capable, “Netflix Approved” cameras are almost standard...
Filmmakers test Unreal Engine’s in‑camera VFX toolset
Recently, Epic Games and filmmakers’ collective Bullitt assembled a team to test out the latest in-camera VFX toolset in Unreal Engine. A...
An Art of the Frame interview with editors of LEGO MASTERS
This is the “print” version of my chat with Sara Scotti and Karl Kimbrough, both editors on Fox’s LEGO...
Adobe video July release: Speech to Text + Native M1 in Premiere Pro, Speculative Preview beta for After Effects
The Adobe video July 2021 release has been sprung, featuring major enhancements in Speech to Text plus Native M1...
Uploading to YouTube – is 4K worth it?
You’ve spent months editing and grading and finishing your beloved video. But now you have to upload it to...
From Markers to YouTube Video Chapters with Adobe Premiere Pro
Video Markers are the best thing that’s happened to YT as a viewer since…well, ever. It means giving your...
Audio Finishing using Roles in Final Cut Pro
How do you work with audio in your NLE when it doesn’t have tracks or a mixer? This week...
After Effects: Making a composition render 70 x faster
Rendering times in After Effects can vary a lot. If you’ve been using After Effects for a while, you’ve...
Interview with live television editor Mark Stepp – An Art of the Frame podcast
When it came time to relaunch the PVC Art of the Frame podcast I thought about how I wanted...
The Day After the Eve of Destruction – Our experience with the recent QNAP server attack
I’m heading to a shoot and my phone rings. It’s Jake, my senior producer. “Boss, I think we’ve been...
