An Exciting Update & The Future Of The “Art of the Cut” Podcast Channel
We’re making some exciting changes! As you might know, Steve Hullfish has moved on to other projects and is...
After Effects & Performance. Part 17: Interview with Sean Jenkin from Adobe
There’s good news, and there’s bad news. Actually, it’s better than that. For all After Effects users out there,...
After Effects Roundup May 2021
Recently in the world of After Effects, there’s news on MOGRTs, workflow, multi-frame rendering, particles, Ball Action, Shapes animation,...
Adobe makes a tv commercial for Adobe Premiere Pro
Here was a little bit of interesting editing and Adobe news that came across the internet recently. Adobe has...
Meet the New Grunge
The modern fashion for something we’ll term grunge in film and television pictures is something that future generations might...
Pollinator Park: using Virtual Reality to save pollinating insects
Introduced last March for Oculus VR headsets, Pollinator Park is a futuristic farm, a safe haven for pollinating insects...
Productions versus Team Projects: Which Adobe Premiere Pro remote workflow is right for you?
2020 forever changed the way that many of us live, play, learn, and work. For many filmmakers, editors, and...
REVIEW: DaVinci Resolve Color Grading Panels
I’m primarily a freelance Cinematographer and I color my own work most of the time out of necessity, but...
SMPTE, Baylor, and NASA on “Expanding the Color Universe”
Astronauts know a secret: the Earth is alive with vibrant, robust colors, and traditional imagery doesn’t do justice to...
A.I. Upscaling software shootout
Upscaling or “uprezzing” is something most editors do every day without thinking much about it. Drop in a 720p...
