Art Of The Cut Podcast Eps. 82 (“Soul” Editor Kevin Nolting, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Zoom.us establishes 25p as worldwide framerate—Best practices?
Thanks to a panelist on Alex Lindsay’s Office Hours, I discovered (and later verified myself) that Zoom.us has established...
Renderro – powerful cloud computer for your post-production and creative tasks
Renderro is your high-performance cloud computer for your everyday video editing, graphic design, and animation tasks. It is an...
Review: DaVinci Resolve Speed Editor Part 2 – Multicam and Multi-camera Editing
This is Part 2 of my DaVinci Resolve Speed Editor review. In Part 1, I covered the hardware, trimming,...
Review: DaVinci Resolve Speed Editor, Part 1 – Editing with the Speed Editor
Welcome to my review of the DaVinci Resolve Speed Editor. Hardware products designed to supplement and speed up video...
ART OF THE CUT with Oscar-winning editor, William Goldenberg, ACE on editing “News of the World”
Today on Art of the Cut, I’m so happy to be talking to William Goldenberg, ACE about Paul Greengrass’s...
Art Of The Cut Podcast Eps. 81 (“News of the World” Editor William Goldenberg, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
LED video walls. Amazing technology, not all the same
Mandalorian. There, now we’ve established what we’re talking about because if there was ever an example of a particular...
Dear Adobe, Blackmagic and other post-production software makers, don’t export on-screen error messages and watermarks
Here is my open letter to companies like Adobe, Blackmagic Design and all the other non-linear editing and post-production...
ART OF THE CUT – Cutting “Wonder Woman 1984” with Oscar-nominated editor, Rick Pearson, ACE
Rick Pearson, ACE has been nominated for an Emmy, a BAFTA, multiple ACE Eddies, and an Oscar. He has...
