After Effects Classic Course: Rigid Mask Tracker
Following up on our recent posts about the Warp Stabilizer and 3D Camera Tracker, in one of the first...
Loupedeck update finally adds support for Motion parameters in Adobe Premiere Pro
Normally I don’t write a blog post about every little updated to every little piece of post-production software installed...
Art Of The Cut Podcast Eps. 78 (“Minari” Editor Harry Yoon, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Nobe Color Remap for all your post-production tools. The original Color Warper
Every now and then you see a new tool in post-production and you say “wow that is unique.” For...
ART OF THE CUT with Harry Yoon, ACE, editor of Oscar contender, “Minari”
Today, I have the pleasure of interviewing Harry Yoon, ACE again. We last spoke about his editing of The...
Aging an actor with Adobe Sensei and Mocha Pro 2021
In the age of 4K and beyond, it’s very hard to convincingly make an actor look old using practical...
Is Apple Silicon Your Fork in the Road?
As if 2020 hasn’t been disruptive enough, Apple capped off the year with the launch of Big Sur (macOS...
Review – Wirecast 14 from Telestream
2020 has been an insane year. While many products in our industry have remained more or less the same,...
Final Cut Pro and Motion on the new 13″ M1 MacBook Pro
This week on MacBreak Studio, I was able to “borrow” the new 13-inch MacBook Pro with the M1 Apple...
ART OF THE CUT on the workflows and methods for editing “Mank”
Our discussion today is with Ben Insler. Ben was the assistant editor on David Fincher’s feature film, Mank, which...
