I switched from Mac to PC & built a system to run Media Composer
I made the switch from Mac. There. I said it. Now, with that said, I haven’t completely switched from...
Art Of The Cut Podcast Eps. 88 (“One Night in Miami” Editor Tariq Anwar)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
After Effects & Performance. Part 16: A few bits and bobs
As this series on After Effects and Performance draws to a close, there are a few loose ends to...
ART OF THE CUT with Michelle Tesoro, ACE on editing “The Queen’s Gambit”
Today I’m talking with Michelle Tesoro, ACE about editing The Queen’s Gambit. She edited The SXSW Grand Jury Prize-winning...
V90 memory cards: your choice for 4K video and beyond
The variety of numbers inscribed on a memory card may be confusing sometimes, but one piece of information is...
Using Camera-Generated Proxies in Final Cut Pro
As more and more cameras capable of shooting 10-bit 4-2-2 video hit the market at lower and lower price...
ART OF THE CUT with multi-Oscar winner, Arthur Schmidt, ACE
Today I’m talking with Arthur Schmidt, ACE. Arthur won an Emmy and an ACE Eddie for his editing of...
Art Of The Cut Podcast Eps. 87 (“The Queens Gambit” Editor Michelle Tesoro, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
PROGRESS: peeking from behind the Iron Curtain
The complete film heritage of East Germany is now available in one place, at PROGRESS.film, a fantastic collection offering...
Frame.io Camera to Cloud sends proxy files from the set right to editorial
With the introduction of the new Frame.io Camera to Cloud workflow something that editors have long dreamed of will...
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
