After Effects Classic Course: Refine Edge Tool
Continuing with our theme that it is very useful to have a feathered mask that varies in width depending...
ART OF THE CUT with Mike J. Nichols, editor of the documentary “Zappa”
Today I’m talking with Mike J. Nichols about editing the documentary Zappa. He’s edited a lot of documentaries including...
Art Of The Cut Podcast Eps. 74 (“Zappa” Editor Mike J Nichols)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
creative.space: One subscription that actually makes sense
A while back I covered creative.space’s //ROGUE, an edit-ready NAS system for small studios, complete with powerful managed storage...
Custom video editing overlays for the Loupedeck+ control surface
It’s time to talk about Loupedeck again. I’ve reviewed quite a few Loupedeck products here in recent years. While...
ENVY’s Use of Modern Technology Provides a View into the Future of Post Production
As Jai Cave, ENVY’s technical operations director put it, “in a way, we are the cloud to our customers...
Fairlight New Features in DaVinci Resolve 17
Since the acquisition of Fairlight in 2016, Blackmagic Design has been integrating the long-established digital audio technology into their...
Final Cut Pro updated to 10.5 and loses the X
The NLE updates continue as Thursday Apple updated Final Cut Pro to version 10.5. It’s not a big update as...
Art Of The Cut Podcast Eps. 73 (“Enola Holmes” Editor Adam Bosman)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
The Mac begins its transition to Apple Silicon with 3 new models
Yesterday, I attended Apple’s online press conference where the company unveiled its new ultra-powerful SoC (System on a Chip)...
