Modified Nikon Z 9 camera goes to the Moon
NASA plans to utilize a modified version of the mirrorless Z 9 camera for the lunar landing phase and...
Live 3D Stereoscopic editing in Apple Vision Pro
Final Cut Pro 11’s Spatial Video support is good, but currently missing a key feature: the ability to preview...
Samsung ALoP: a revolutionary smartphone lens structure
Samsung’s ALoP introduces a large aperture lens that promises low-noise portrait images in night shots and a lower-profile camera...
New year’s resolutions for crew
Resolution is a word that gets more airtime than it should in a world where pocket-money cameras have four...
Looking back on 2024 and ahead to 2025 – A PVC Roundtable Discussion
While the hosts of the Alan Smithee podcast already discussed the evolving landscape in media and entertainment as 2024...
HDMI 2.2 will be announced at CES 2025
The announcement of a new specification for HDMI, offering higher bandwidth, will be made at CES 2025, and some...
Studio Extreme, an immersive experience at CES 2025
Disguise, Nikon and MRMC bring Studio Extreme immersive activation to CES 2025, to show how easily brands can create...
Enhancing On-Set Communication: On Set Headsets’ Product Lineup and LDI 2024
Effective communication is the backbone of any successful film or live production. On Set Headsets has been at the...
Samsung, Pimax and DPVR: three new VR headsets for 2025
CES 2025 will be the stage to discover the new VR headsets coming to the market: the 27 million...
Review: the Canon RF-S 7.8mm Spatial Lens on the EOS R7
Video professionals looking to create 3D content for the Apple Vision Pro, for other VR devices, or for 3D-capable...
