What Good is a Macbeth/Colorchecker Chart?
Most camera rental houses have an in-house expendables store, and during a recent visit to one such store I...
Updates to the After Effects Apprentice Video Courses
I apologize for the commercial nature of this post, but I’ll try to make it up to you at...
Green Screen Workflows: An Interview with a Compositor
As the author of the Green Screen Handbook (Sybex/Wiley, pub), I’ve been interviewed a few times for publications, blogs...
Sony Premieres 4K and HD Footage Shot With New F55 and F5 Cameras
Sony will today screen 4K and HD content shot using its two new CineAlta™ 4K cameras for the first...
Panasonic Introduces AW-HE60 Series PTZ Cameras
Building on the success of its AW-HE50 and AW-HE120 series pan/tilt/zoom cameras for remote production. Panasonic has introduced the...
A Light Meter Party Trick
Incident meters can only tell you how much light is striking them, and nothing about how bright things are...
Breaking news: Vantage One T1 Primes
Image from Film and Digital Times used by permission. Are you into super-shallow depth of field? Do you think...
Check Out Two Recent Additions to the Panasonic Lineup
Panasonic made their presence at the Entertainment Technology Expo known by showing off two of their most recent additions...
Review: Induro Hi-Hat
This review will be short and sweet, just like its subject: Induro’s Hi-Hat is a stubby little tripod that...
Fujifilm Unveils New Fujinon Cabrio PL Mount Zoom and Ultra-Wide HDTV Field Production Lens
FUJIFILM North America Corporation, Optical Devices Division is introducing two new high-performance FUJINON lenses: the PL 85-300 Cabrio lens...