Blackmagic Design Announces New Audio Mixer for ATEM 1 M/E Production Switcher and ATEM
Blackmagic Design today announced a major new software update that adds full audio mixing capability to its ATEM 1...
Quick Review: Canon C300 Super35mm LSS Cine Camera
Canon C300 EF with Canon 24-105mm f/4 EF-L IS zoom. The US$16,000 Canon EOS C300 looks like nothing else,...
Adobe Hardware Performance White Paper
One of the early advantages of desktop video production software over dedicated hardware was that it could run on...
AJA Releases SRExpress™ Software Enabling File Transfer from Sony SR-R1 Recorders
AJA Video Systems, a leading manufacturer of professional video interface and conversion solutions, today released AJA SRExpress software to...
Panasonic Announces New F Series of High-Speed, High-Capacity P2 Cards
Panasonic has announced a new generation of P2 solid-state recording media, the F series, including support of recording up...
Review: Sony NEX-FS700 “Super35” LSS AVCHD Camcorder
The NEX-FS700 (US$8000; $8600 with 18-200mm zoom lens) is an E-mount Large-Single-Sensor camcorder with the back end, user interface,...
Cine Gear Expo LA 2012 – Assorted Photos
Cinoflex power-distro baseplate for the Canon C300, plus accessories. Yes, you can bulk up a C300 to the size...
LIGHTING: Reinventing the Cooking Show for Driscoll’s Berries
I don’t watch a lot of cooking shows, but the ones I see are not lit the way I...
CAMERAS: Avoiding the Big Gotcha When Shooting High Speed at Night
Adam Wilt and I presented a talk about the new Sony FS700 camera to an audience at CineGear 2012....
FOR-A FT-ONE camera – Cine Gear LA 2012
We dropped by to check out the 4K FT-One slow motion camera from FOR-A. One of the interesting notes...
