Sandi Sissel Talks About the Past and Future of Cinematography
Sandi Sissel, ASC, stepped on stage at Createasphere’s Entertainment Technology Expo in New York this past September with her...
The GoPro HD Hero2: A Real-World Wide-Angle View
Anticipation… Last weekend I had a great time taking the new GoPro HD Hero2 for a spin and running...
Motion Tracking and Green Screen with After Effects & Mocha AE
Amazingly, a lot of people don’t even know that they already OWN Mocha AE… it ships along with After...
Use Dynamic Link to bring Warp Stabilizer to Premiere Pro CS5.5
The Dynamic Link process to stabilize a Pr clip in AE begins in the Pr timeline. Warp Stabilizer was...
Paradise FX Launches HELIOS 3D Stereo Rig
Paradise VFX, the world’s most experienced provider of 3D stereo camera systems and production services, has launched HELIOS™, a...
Atlona Announces Release of New High-Speed HDMI Matrix Switchers Featuring HDBaseT™ Technology
Atlona Technologies®, a leading digital connectivity solutions provider, today released the latest additions to its family of high-speed HDMI...
Fill Light: The Underdog of Lighting
The day I stop learning about lighting will be the day my EKG goes flatline. There’s an extraordinary amount...
Caleb Crosby’s FS100 Top Handle
You can tell a camera has struck a chord when its users start turning out aftermarket accessories that are...
CMG Hidden Gems: Chapter 37B and 37C – Expressions and Scripting Bonus Chapters
We’re going through our book Creating Motion Graphics with After Effects 5th Edition (CMG5) and pulling out a few...
WhiteCap Video Relies on Fujiinon Lens and Image Stabilizer
With an infusion of fun and adventure in all the work he does, Paul Cronin specializes in high-speed, extreme-condition...
