Hand Held Hollywood
Our dear old friend and fellow After Effects pioneer, Taz Goldstein, just dropped us an email about a new...
First impressions of the Tangent Wave
I was very excited when a big FedEx box arrived a couple of weeks ago with a Tangent Wave...
Hitler upset about the Canon 7D? Or just jealous?
Philip Bloom has really outdone him with this spoof on the feelings of owners and potential owners of the...
Moving Footage From Final Cut Pro to After Effects
Getting your footage from Final Cut Pro to After Effects is a very common workflow. In fact, so many...
Online Post-Production Management with ShotRunner
The days of cobbling together a database to track shots, assets and progress are numbered. Although nowadays it has...
Greenscreen Primer Part 2
In the first installment, we looked at the basic set up for shooting Greenscreen. Most of what I covered...
Metropia
Unlike Mike Curtis, I’m not at FantasticFest, but I still heard about an interesting (to After Effects artists) screening...
Polyvore: Playing Mix & Match
A couple of months ago, we mentioned the Color Marketing Group: a global consortium that attempts to determine what...
On Artbeats.com: Color Matching
During a job, footage may come from a variety of sources: freshly-shot clips, archival elements, greenscreen, 3D renders, and...
A Bird in the Hand…
The problem with technology is that “something even better” will almost inevitably come out – often after you’ve already...
