Rough Guide to Flicker-Free HD Shooting
The most common HD frame rate is a 50-year-old byproduct of the invention of color TV. And it’s not...
Stunning Trailer for Battle for Hearts and Minds
Back in May I posted some footage from Danfung Dennis, a photojournalist and videographer embedded in Afghanistan. He was...
Ikonoskop footage from Nick Paton ACS
Ikonoskop recently got their 2.1 prototype into the hands of Aussie Nick Paton ACS. Apparently Nick was one of...
Audio options for hybrid cameras: a study by P3Pictures
Jon Fairhurst of P3Pictures has done quite a study on audio options for hybrid cameras. Although P3Pictures uses a...
Hand Held Hollywood
Our dear old friend and fellow After Effects pioneer, Taz Goldstein, just dropped us an email about a new...
First impressions of the Tangent Wave
I was very excited when a big FedEx box arrived a couple of weeks ago with a Tangent Wave...
Hitler upset about the Canon 7D? Or just jealous?
Philip Bloom has really outdone him with this spoof on the feelings of owners and potential owners of the...
Moving Footage From Final Cut Pro to After Effects
Getting your footage from Final Cut Pro to After Effects is a very common workflow. In fact, so many...
Online Post-Production Management with ShotRunner
The days of cobbling together a database to track shots, assets and progress are numbered. Although nowadays it has...
Greenscreen Primer Part 2
In the first installment, we looked at the basic set up for shooting Greenscreen. Most of what I covered...
