Inspire Media Conference returns to Memphis next week
I’ve posted before about the Inspire Media Conference in Memphis, Tennesee before, in 2019 when it was in its...
Sony Xperia 5 IV, a compact Xperia for content creation
Cinematic video features on all three lenses with 4K HDR, 120 fps super slow-motion recording to create a cinematic...
Atlas Lens Co. Launches New “Mercury” Line of 1.5x Anamorphic Lenses
Today, Atlas Lens Co. announces the launch of its Mercury Series 1.5x front anamorphic cinema lenses – marking a...
Call for participants: ACES at Camerimage
Attending Camerimage in Toruń, Poland this November? Want to talk about your use of ACES (the Academy Color Encoding...
Reviewing the new Blackmagic Pocket Cinema Camera 6K G2
Blackmagic announced the Blackmagic Pocket Cinema Camera 6K G2 recently. This new 2nd Generation of the Pocket Cinema Camera...
New Samsung Expert RAW brings Custom Presets and Save options
Besides updates that will make low light photography better, as Samsung claims, the Expert RAW version 2.0.00.3 brings two...
Review: Blue Radius III shockmount for microphones
When I recently reviewed the SL40 dynamic studio microphone from FDUCE together with the Shure A7WS windscreen, my primary...
Google Meet beats Zoom in audio quality (48 kHz versus 32 kHz typical in Zoom)
Recently, I have been conducting Meetups for fellow writers who want to edit, publish, transform or widely distribute their...
Acer Chromebook Vero 514: a laptop for a greener future
The Acer Chromebook Vero 514 will never take the place of your creative workstation, but if you need a...
RED DIGITAL CINEMA launches new V-RAPTOR XL 8K VV
Featuring the same multi-format 8K sensor found inside the compact and modular V-RAPTOR body, the new RAPTOR XL allows...