Current thoughts on current lenses
Near perfect lenses are easy to find these days. The problem is… I don’t want them. I want lenses...
Reality: it’s completely overrated
There’s no such thing as a reality show, only unreality shows. The more unreal, in some cases, the better....
Five Things You Didn’t Know You Need To Know About Media Composer
One thing that Avid Media Composer has is options. There’s a ton of options in your settings, there are...
Let’s Edit with Media Composer – Creating Night from Day with BCC and Sapphire 10
In this lesson, Kevin P McAuliffe shows you how, using BCC 10, Sapphire 10 and a little help from...
Using ‘Synchronize’ in Premiere Pro
The Synchronize command in Adobe Premiere Pro won’t fix audio and video out-of-sync within a video file (retiming is...
REVIEW – MacCaption from Telestream
As editors, we can wear a lot of hats. We can be the image cutter, color grader, VFX master,...
Filmmaker Friday Featuring Will Sampson
With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Filmtools decided...
REVIEW – ScreenFlow 7 from Telestream
I’ve been doing online training and tutorials for a while now. A long while, and I’ve done recording on...
CREATING YOUR OWN DCP’S – PREMIERE PRO CC SETUP
I want to keep the DCP topic going by taking a look that the process that we just covered...
ART OF THE CUT with Michael Berenbaum
Michael Berenbaum, ACE won two Emmys and two Eddies for Best editing for Desperate Housewives and Sex and the...
