Maxon Cinema 4D S22, Available Today
The latest version of Maxon’s Cinema 4D, S22, just dropped. Here’s the 100 word blurb from the press release:...
Adjusting to Work Life at Home
We’ve seen a monumental change in the industry in the last 30 days. One that none of us ever...
Art of the Cut Podcast Eps. 33 (“The Rhythm Section” Editor Joan Sobel, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
16″ Macbook Pro Video Export Performance Tests
I recently updated a 2017 Apple MacBook Pro to the larger 2019 model. Here are my 16″ Macbook Pro...
Invention of Sound for Movies
Having seen “Making Waves,” I am thrilled to see the attention being paid to film sound. Certainly sound effects,...
Voices From Sundance: “Spree” Editor Benjamin Moses Smith
Welcome to a special podcast series from Steve Hullfish and ProVideo Coalition! For the next few weeks, in addition...
Learn Assimilate Scratch – Audio Syncing and Basic Conforming
So, we started out looking at Assimilate Scratch in our last article, where we looked at creating a new...
Learn Assimilate Scratch Step-by-Step
I’ve used quite a few NLE’s over the years. From D-Vision to Media 100 to Media Composer, Premiere, Final...
Let’s Edit with Media Composer – What’s New in 2019.12?
Well, we’re going to round out this decade with the last “Let’s Edit” tutorial and we are going to...
Let’s Edit with Media Composer – Creating Dailies Part 2 – DaVinci Resolve
One thing that editors are getting more and more into, is Color Correction/Grading using DaVinci Resolve, but most editors...
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
