ART OF THE CUT with Oscar-nominated editor, Joe Walker, ACE on “Widows”
Oscar nominated editor Joe Walker, ACE, recently cut the movie Widows for director Steve McQueen. It’s their fourth feature...
Get up and running with Adobe Animate—Flash reborn
Back in the 90’s, Macromedia Flash was the king of web-based animation and it was everywhere. Then in 2010...
Casting the look of a camera into glass
Recently I had the pleasure of meeting with ARRI’s senior color designer, and I asked him the question I...
The simplest interview setup ever: the modern update
Many years ago I wrote about the simplest interview lighting setup ever. Here’s my modern take on that same...
Speed lighting: more lessons from the ARRI Academy
The ARRI Academy isn’t only about learning how cameras work. We also teach how to use them. I’ve never...
ARRI Signature Primes: the conscious design of softness
This is a story about a lens family whose soft focus backgrounds were consciously designed, and the lens mount...
Getting Started with HitFilm Pro – Lesson 8 – Clip-Based Parameters and Keyframing
In our last lesson, in our look at learning HitFilm Pro, we talked about updating HitFilm, and why that’s...
ART OF THE CUT with Mission: Impossible – Fallout’s Eddie Hamilton, ACE
Art of the Cut is brought to you by our friends at Frame.io. Video collaboration for the 21st century...
Framing: Moving beyond the rule of thirds
Most of us have heard of the rule of thirds. If you’ve been around long enough you’ve probably also...
Creating a Dark and Stormy Night in Final Cut Pro X
https://www.youtube.com/watch?v=0Yre-8CszJg&feature=push-u-sub&attr_tag=n6-pl49D4xNNiqS5-6 This week on MacBreak Studio, I show Steve Martin from Ripple Training how to create an animated outdoor...
