Casting the look of a camera into glass
Recently I had the pleasure of meeting with ARRI’s senior color designer, and I asked him the question I...
The simplest interview setup ever: the modern update
Many years ago I wrote about the simplest interview lighting setup ever. Here’s my modern take on that same...
Speed lighting: more lessons from the ARRI Academy
The ARRI Academy isn’t only about learning how cameras work. We also teach how to use them. I’ve never...
ARRI Signature Primes: the conscious design of softness
This is a story about a lens family whose soft focus backgrounds were consciously designed, and the lens mount...
Getting Started with HitFilm Pro – Lesson 8 – Clip-Based Parameters and Keyframing
In our last lesson, in our look at learning HitFilm Pro, we talked about updating HitFilm, and why that’s...
ART OF THE CUT with Mission: Impossible – Fallout’s Eddie Hamilton, ACE
Art of the Cut is brought to you by our friends at Frame.io. Video collaboration for the 21st century...
Framing: Moving beyond the rule of thirds
Most of us have heard of the rule of thirds. If you’ve been around long enough you’ve probably also...
Creating a Dark and Stormy Night in Final Cut Pro X
https://www.youtube.com/watch?v=0Yre-8CszJg&feature=push-u-sub&attr_tag=n6-pl49D4xNNiqS5-6 This week on MacBreak Studio, I show Steve Martin from Ripple Training how to create an animated outdoor...
DaVinci Resolve 15 + Fusion Integration = Many Happy Editors
I’ll be honest right off the bat in this article. I’m not a big color grader. I’m more a...
Getting Started with HitFilm Pro – Lesson 5 – Working with the HitFilm Pro’s Toolbar Part 2
In our last lesson, in our look at learning HitFilm Pro, we talked about most of the tools in...
