A week or so ago I posted a cinematography breakdown of Roger Deakins work in Prisoners. This week I'm sharing another one of Matt Scott's breakdowns, this one from the Tarantino film Inglourious Basterds.

In this frame-by-frame breakdown, Scott spends a little more time on color pallette and the luminance values in each of his frames. There is so much value in this analysis from a colorists standpoint as well! It's a ton of work, and a great read. Check it out here.