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Historic: Apple finally offers optional matte screen on iPad Pro + Final Cut Camera app for live multicam for iPad & iPhone

Historic: Apple finally offers optional matte screen on iPad Pro + Final Cut Camera app for live multicam for iPad & iPhone 1

Apple calls it «Nano-texture glass». I call it «matte». Other people call it «antiglare». It’s a preferred option by many which was sadly removed by Apple many years ago in MacBooks, although returned as an option with some standalone Apple displays and iMacs. Today, Apple made history by offering a «Nano-texture glass» option for its latest iPad Pro with M4. «Nano-texture glass» is available as long as you purchase a new iPad Pro with either 1TB or 2TB storage. (Yes, even other iPads include «antireflective coating», but that is quite subtle and not nearly enough for matte lovers.) I certainly hope this will crossover to MacBooks, other non-Pro iPads and iPhones, as TCL did with its NXTPAPER, as I covered in this article. Ahead, we’ll cover Final Cut Camera app for live multicam for iPad & iPhone.

The following was primarily written by Apple:

Apple today introduced Final Cut Pro for iPad 2, bringing huge updates that unleash the remarkable capabilities of the new iPad Pro and take creativity to the next level. Final Cut Pro for iPad 2 transforms iPad into a multicam production studio with Live Multicam, giving users the power to speed up their shoot by allowing them to connect and preview up to four cameras all at once, all in one place. To support Live Multicam, Final Cut Camera — an all-new video capture app — comes to iPhone and iPad, letting creators wirelessly connect and remotely direct each video angle with powerful pro controls. Final Cut Camera also works as a standalone professional video capture app on iPhone and iPad. External project support gives users the flexibility to edit projects directly from an external drive, leveraging the fast Thunderbolt connection of iPad Pro. Editing and finishing a project with Final Cut Pro on the new iPad Pro with the M4 chip is incredible, enabling users to color grade, apply multiple effects, and render graphically intense timelines even faster. Final Cut Pro for iPad 2 has even more customizable content for editing and creating unique projects, and leverages the advanced features of the all-new Apple Pencil Pro such as barrel roll and squeeze for Live Drawing.

New artificial intelligence features come to Final Cut Pro for Mac 10.8, giving editors the ability to rapidly customize the look of videos or photos in a single click and retime visuals more easily than before. Important workflow-accelerating tools bring new ways to manage color correction and video effects, as well as search and navigate the timeline with ease.

“Users have been loving the portability and flexibility of editing with Final Cut Pro for iPad. It was designed from the ground up to take advantage of everything iPad has to offer, and that continues with the latest advances like Apple Pencil Pro and the M4 chip,” said Brent Chiu-Watson, Apple’s senior director of Apps Worldwide Product Marketing. “Now, Final Cut Pro for iPad is getting even more powerful, transforming production workflows for creators by putting iPad at the center and allowing them to edit and share more quickly than ever, whether they’re at the studio or on the go. Final Cut Pro for Mac also continues to deliver efficiency gains for editors with new features that are smarter and faster.”

Final Cut Pro for iPad 2

The latest update to Final Cut Pro for iPad transforms iPad into a more powerful production studio and opens up entirely new video workflows, while offering even more capabilities with the all-new Apple Pencil Pro. With M4 on the new iPad Pro, final rendering is up to 2x faster, and editors can take advantage of support for up to 4x more streams of ProRes RAW than with M1.

Live Multicam

Final Cut Pro for iPad 2 delivers Live Multicam, an innovative new solution for users to capture up to four different angles of a single scene, whether working with their own devices or collaborating with others. Live Multicam connects wirelessly via Final Cut Camera, a new video capture app, enabling users to view up to four iPhone or iPad devices and providing a director’s view of each camera in real time. Each live camera feed can have settings adjusted right from Final Cut Pro for iPad 2 to easily dial in exposure, focus, zoom, and more for the perfect shot. Editable preview clips are immediately passed through to Final Cut Pro for iPad and replaced with full-resolution files in the background, so users can seamlessly move from production to editing.

Final Cut Camera

To support Live Multicam in Final Cut Pro for iPad 2, Final Cut Camera comes to iPhone and iPad to enable live monitoring and individual control of each video feed. Leveraging the incredible camera systems on iPhone and iPad, Final Cut Camera allows users to adjust settings like white balance and manual focus, while monitoring their recordings with zebras and audio meters. Users can now also adjust ISO and shutter speed, and enable focus peaking, bringing even more power to the camera system on iPad Air and iPad Pro. Final Cut Camera can also be downloaded for free as a standalone video capture app to record professional videos on iPhone and iPad with precise manual controls.

The all-new Final Cut Camera app on iPhone and iPad can be used connected to Final Cut Pro, or as a standalone professional recording app, and enables precise manual controls of video settings.

External Project Support

For even more storage flexibility, Final Cut Pro for iPad 2 now supports external projects, letting users easily create or open projects on an external storage device and import media without taking up space on their iPad. Editors can quickly hand off external projects to another editor or take them into Final Cut Pro for Mac; create new projects on external storage; and seamlessly import high-resolution files and professional codecs like ProRes and Log.

Even More Ways to Customize

Final Cut Pro for iPad 2 brings more options to customize projects. Users can dial in their edits with 12 new color-grading presets, choose from eight basic text titles, score with 20 new soundtracks, and add additional dynamic backgrounds to create effect overlays and title sequences.

The powerful new Apple Pencil Pro offers even greater precision for Final Cut Pro for iPad 2 users. Live Drawing now includes support for barrel roll, giving users more precise control of their chosen tool, and with squeeze, users can quickly pull up an array of brushes and settings.

Final Cut Pro for Mac 10.8

On Mac, editors can take their professional workflow to the next level. Leveraging the Neural Engine in Apple silicon, new AI features and organizational tools come to Final Cut Pro 10.8. Available as a free update to existing users, Final Cut Pro 10.8 introduces Enhance Light and Color, offering the ability to improve color, color balance, contrast, and brightness in one simple step, and is optimized for SDR, HDR, RAW, and Log-encoded media. With Smooth Slo-Mo, frames of video are intelligently generated and blended together, providing the highest-quality movement and more drama to a project.

Pricing and Availability
  • Final Cut Pro for iPad 2 will be available later this spring as a free update for existing users, and available on the App Store for US$4.99 per month or US$49 per year, with a one-month free trial for new users.
  • Final Cut Camera will be available for free later this spring as a standalone app.
  • Final Cut Pro for Mac 10.8 will be available as a free update for existing users and for US$299.99 for new users on the Mac App Store. All new users can download a free 90-day trial of Final Cut Pro.

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FTC disclosure

Apple did not paid for this article. Some of the manufacturers listed above have contracted Tépper and/or TecnoTur LLC to carry out consulting and/or translations/localizations/transcreations. So far, none of the manufacturers listed above is/are sponsors of the TecnoTurBeyondPodcastingCapicúaFM or TuSaludSecreta programs, although they are welcome to do so, and some are, may be (or may have been) sponsors of ProVideo Coalition magazine. Some links to third parties listed in this article and/or on this web page may indirectly benefit TecnoTur LLC via affiliate programs. Allan Tépper’s opinions are his own. Allan Tépper is not liable for misuse or misunderstanding of information he shares.

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