Composition Occurs in both Space and Time
What Wired Didn’t Understand about Depth of Field
In the Sept. ’08 issue of Wired Magazine, in an article about the RED camera called “A Star is...
The Olympics
I was lucky enough to have attended the first week of the Beijing Olympics and all I can say...
Wired Magazine Gets the RED Totally Wrong
I’d like to encourage everyone reading this to pick up a copy of this month’s Wired magazine (Sept. 2008,...
XScriptorium: New AE Script/Expression Resource
I completely understand that expressions and scripting in After Effects can be intimidating to users of a more artistic...
RGB and the F23
The Sony F23 sees hues of colors I didn’t think a digital camera could see. Why? A while back...
A good overview on DAM
In recent years, various devices have been made to fully maximize the use of digital technology. You have digital...
Managing a complex video library
Cory Stokes discusses how using Digital Asset Management made managing a complex video library easy. “TeleScope Enterprise Video Management...
The Swing of Things
I recently shot a museum project where the style required almost exclusive use of tilt/shift lenses. (We occasionally used...
Navigate the new media landscape
Viia: media’s new path Recognize the full potential of every asset in your library. Developed by Ascent Media, and...
Advice to a Camera Trainee
A film student, who I’ve been mentoring, landed a job on a low-budget RED project as camera PA. He...
The Power of Search Within a Complex Sales Cycle
The Power of Search Within a Complex Sales Cycle by Roxanne Lott via Marketing Profs Now that we know...
(Paper)Less Is More
(Paper)Less Is More: Electronic Document Management and Digital Workflow Help You Do More with Less Author: Laurel Sanders In...
China, Spectacle, Fakery
If the 21st Century, as I think it very well may, becomes known as the era of Things Are...