Urban Legends of Video
Expressive Animation
One common use of expressions is to set up automatic relationships between layers, such as having a minute hand...
Parenting Skills
Parenting is the ability to link one object to another. Once this bond has been established between parent and...
Open Wide: Creating That Widescreen Look
For years, the widescreen look has held a certain allure. Most widescreen imagery originated as film that was reframed...
Enter a New Dimension: Moving Into 3D
In this redesign of PAX TV’s on-air look, the primetime promotional end caps are filled with light and translucent...
Elements for Editors
As motion graphics artists, we’re often asked to supply elements for an editor to use in a final composite...
2D Texture Mapping
Plain solid-colored text is not convincing when composited on top of another surface (top). Applying it with blending modes...
Luminance Ranges in Video
It would seem like a simple concept: “black” is the darkest color you can have; “white” is the brightest...
Braving the 3D Elements
Wireframes of a hand, text, and other objects, blended in with blurs and transfer modes to make them appear...
Do Not Adjust Your Set
In the motion graphics world, it is easy to become seduced with technology. New releases of software and hardware...
Do Not Adjust Your Set: The Studios
In the main article, we discussed some of the more interesting design topics brought up during the 1999 BDA...
Spinning Gold
In a perfect world, clients supply gorgeous video clips for you to use in the graphics they’ve hired you...
Getting Behind the Color Wheel
Ever composite a number of clips, only to have the result like an explosion in a paint factory? This...
Field Order – Who’s on First?
If you thought most NTSC video ran at 29.97 frames per second, that's only half the story – literally....
Playing Squash: Blobby Text Effect for NBC
Back in 1997 – still fairly early in our motion graphics career – one of our more enjoyable gigs...