On this episode of Editors on Editing, Glenn Garland interviews editor Marco Costa, focusing on his work on the film...

Introduced as the world’s lightest 35mm F1.4 lens for full-frame Sony E-mount cameras, the new Samyang AF 35mm F1.4...

Transforming one of the most beloved and enduring stage musicals, Wicked, into a feature film is a monumental undertaking....

One of the many reasons why Fifty Frames is not afraid of a challenge is the regular use of...

Announced in September last year, Blackmagic Camera for iOS has now reached version 2.1.1, with improved colorspace tagging when...

Delivering professional performance on par with the CRANE 4, all while being lighter, the new CRANE 4E allows creators...

Insta360 is on the hunt for the best experience around using its action cameras and has $100,000 in total...

ALEXA 265 combines a small form factor with a revised 65 mm sensor, launching, ARRI claims, a new era of 65 mm...

Designed for filmmakers who need to shoot macro, the Laowa Sword series sets itself apart with superior macro capabilities,...

Samyang is the third company to announce lenses for Canon’s RF mount, with the ultra-wide AF 12mm f/2 RF-S...

With a design that is optimized to save time and effort when both prepping and operating the product, the...

TLDR: Even if you know nothing about After Effects, it’s possible to open up Mogrt, make adjustments, and create...

Meet the “Time Trip Taxi”, a special service launched this month in Japan: it’s a taxi specially equipped to...

Machine Learning is going to play an important part in Affinity 2.6, adding new workflow options to the Photo...