I never met Reynold Vincent “René” Anselmo (1926–1995) personally. To date, I have never met or even conversed with...

For the first time filmmakers who use ARRI Signature lenses can add their favorite Tiffen Filters to the ARRI...

With only six small, lightweight sensors that provide studio-free, full-body motion capture experience, Sony’s “mocopi” lets creators pursue their...

Chaos Vantage 2 is out now, giving artists the ability to explore massive, production-quality 3D scenes (complete with full...

On this weeks episode Kenny talks with cinematographer Xavier Dolleans, AFC about the Peacock series “Mrs. Davis.” Enjoy the...

As expected by mid-year, we’re much further along with AI tool development (and Generative AI Tools) than what one...

With the upgrade the ZV-1E joins, according to the company, a roster of Sony cameras featuring 4K 120p video...

The new Insta360 GO 3 offers improved image quality to shoot in 2.7K, 50% longer battery life compared with...

Featuring a back panel opening that enables quick, easy access to the pack’s 17-liter camera compartment, the BackLight XP...

On this week’s episode Kenny talks with VFX guru and cinematographer Gary H. Lee about “The Magician’s Elephant.” Enjoy...

After Effects 23.5 is live, and it includes important fixes that enable you to work more efficiently in After...

Artist-friendly renderers gain decal blending, simulation fly-throughs and more in latest update of Chaos Corona 10. Whether they’re trying...

On this weeks episode, Kenny talks with cinematographer Chris Kempinski about the CW series “Kung Fu.” Enjoy the episode!...

Local 600 DIT Sam Petrov is using AJA ColorBox for setup and look management with live grading across projects,...