Review: DaVinci Resolve Speed Editor Part 2 – Multicam and Multi-camera Editing
This is Part 2 of my DaVinci Resolve Speed Editor review. In Part 1, I covered the hardware, trimming,...
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Review: DaVinci Resolve Speed Editor, Part 1 – Editing with the Speed Editor
Welcome to my review of the DaVinci Resolve Speed Editor. Hardware products designed to supplement and speed up video...
ART OF THE CUT with Oscar-winning editor, William Goldenberg, ACE on editing “News of the World”
Today on Art of the Cut, I’m so happy to be talking to William Goldenberg, ACE about Paul Greengrass’s...
ART OF THE CUT – Cutting “Wonder Woman 1984” with Oscar-nominated editor, Rick Pearson, ACE
Rick Pearson, ACE has been nominated for an Emmy, a BAFTA, multiple ACE Eddies, and an Oscar. He has...
ART OF THE CUT – 2020 Recap – A Crappy Year, but in Brilliant Editing Quotes
2020 for me included a half-million words of editing wisdom from some of the best editors and most exciting...
ART OF THE CUT with Oscar nominee Andrew Mondshein, ACE on editing “Ma Rainey’s Black Bottom”
Today on Art of the Cut we’ll be hearing from Andrew Mondshein, ACE, who edited the recently released Netflix...
The 10 Adobe Premiere Pro and After Effects updates in 2020 that should be part of your workflow
If you’ve been using Adobe video applications for a long time it’s easy to miss new features that arrive...
ART OF THE CUT with Harry Yoon, ACE, editor of Oscar contender, “Minari”
Today, I have the pleasure of interviewing Harry Yoon, ACE again. We last spoke about his editing of The...
ART OF THE CUT on the workflows and methods for editing “Mank”
Our discussion today is with Ben Insler. Ben was the assistant editor on David Fincher’s feature film, Mank, which...
ART OF THE CUT with Gabriel Rhodes on editing the doc “Time”
Today, I talk with Gabriel Rhodes about a feature documentary that has Oscar buzz – Garrett Bradley’s Time. Gabriel’s...
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