ART OF THE CUT on editing “The Ballad of Buster Scruggs”
Eyal Dimant, associate editor on the Coen brothers’ Netflix film, The Ballad of Buster Scruggs discusses editing alongside the...
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Kelley Slagle on making Eye of the Beholder: The Art of Dungeons and Dragons
Eye of the Beholder: The Art of Dungeons and Dragons, a documentary about the tabletop game of D&D, will...
Google Fi now officially supports iPhone + more Androids than before
Google Fi was born in April 2015 under the temporary name “Project Fi”. I published my first review about...
After Effects News 2018 October #4
Recently in the world of After Effects, there’s news on releases of particle plug-ins including fluid dynamics, further discussion...
My First Time: Adobe MAX 2018
Over 14,000 people descended on the Los Angeles Convention Center for Adobe MAX, billed as “The Creativity Conference”. Every...
Relative Paths and Mixed OS
Relative Paths In Mixed OS PC/MAC Mixed OS environments tip
After Effects News 2018 October #3
Recently in the world of After Effects, there’s been continued shop talk, and discussion of AE CC 2019, master properties,...
After Effects News 2018 October #2
This time in the world of After Effects, version 16 has been released, with tracking and expressions and features...
Google & Spotify now favor self-hosted podcasters…
Last week, two important syndication platforms for on-demand audio programming via RSS (i.e. podcasts) indicated their favoritism for self-hosted...
How I edited a complex feature documentary with in Adobe Premiere Pro with no crashes
I recently completed a feature-length documentary edit using Adobe Premiere Pro CC 2018 (12.1.2), and we had zero* crashes...
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