All audio production & distribution should go 48 kHz. Learn why.
Hello to our friends at the software development teams at ACX, Apple (GarageBand team), Audible, Bossjock, Spreaker and Wooji...
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The making of a cross-platform audio/video multimedia ebook
In August of 2015, I published my first review of Amazon’s free Kindle Textbook Creator (KTC) program to create...
Live TV versus prerecorded: how to take best advantage of each
Producing a TV show strictly for a live TV or Internet audience has both advantages and disadvantages. The same...
Adobe Premiere & Audition to add loudness standards
At IBC in Amsterdam, Adobe has announced that they will soon be adding support for the new perceived audio...
A return to multitrack USB audio on Mac
A few years ago, I had to abandon multitrack USB audio on Mac because it became complex and unreliable...
Review: iRig Mic Studio omniplatform digital microphone
I have reviewed several microphones, preamps and other devices from IK Multimedia (and many other brands). The iRig Mic...
Embedding audio on the web, Facebook and sometimes even YouTube
As a video workflow specialist/consultant who is a purist and also extremely into audio-only production and distribution, I am...
Review: Sennheiser PC-8 digital mic/headset with 48 kHz sampling
This is a review of the Sennheiser PC–8 digital mic/headset with 48 kHz sampling. Ahead you will hear my...
Apple improves Mac and mobile OS, but misspells El Capitán
At the recent WWDC, Apple announced several improvements both in its upcoming Mac OS and the upcoming mobile iOS...
Audio tests with Átomos Shogun and Sony A7s
My friend Jorge González and I got together to test the audio quality on his Sony A7s and with...
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