Review: Plugable USB-VOX studio microphone
My evaluation of the ≈US$75 USB-VOX studio microphone from Plugable involved several happy surprises, beyond its high quality sound...
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48 kHz: How to set it in Android, iOS, macOS and Windows
After creating the 48 kHz Alliance this year and several prior articles, an increasing number of people now ask...
Review: Samson Q8X supercardioid dynamic handheld microphone, headless with A81WS
This is my review of the ≈US$100 Samson Q8X dynamic handheld, XLR vocal microphone, headless with the ≈ US$30...
Review: CrumplePop EchoRemover plugin
If you record audio in an untreated room (or your remote guest does), often you’ll get excessive echo/reverberation, as...
DEITY V.Lav microphone solves TRRS/TRS conflicts automatically and intelligently
One of my most popular articles in ProVideo Coalition is TS/TRS/TRRS/TRRRS: Combating the misconnection epidemic from 2015. Often, producers...
Spreaker Studio for iOS adds trimming capability
For audio content producers who use the Spreaker platform for either live broadcasting or live-to-drive on their iOS device...
Unleash Spreaker Studio’s hidden power
Spreaker Studio for desktop (Mac/Windows) packs a lot of power, allowing multiple local mic inputs, virtual carts, ducking and...
Enter the 48 kHz Alliance
Thanks to a recent —and extremely rare— inaccurate public statement by Rob Walch, I was catapulted into creating the...
Review: Simply Sound SS-1 pre-preamp, like elevator shoes for dynamic mics
This is a review of the SS-1 pre-preamp from The Simply Sound Company from Salt Lake City (Utah, United...
Tascam US–2X2 preamp/A-D converter interface review
The Tascam US-2×2 is an audio interface which offers two mic preamps/A-D & D-A converters. Those two mic preamps...
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Exploring the extremes of dynamic range
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