Why Shure’s own 545 palindromic mic beats the SM57 nowadays
Six years before Shure released the ubiquitous SM57 dynamic microphone in 1965, the company began to sell its palindromic...
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How I interviewed presidential candidate Gary Johnson with a digital mic from Italy
Last week, I had the pleasure and honor of conducting a brief, in-field interview with US presidential candidate Gary...
Review: iKlip A/V mount/grip/pre-preamp for smartphones & small cameras
After my recent “first look”, here is the review of IK Multimedia’s iKlip A/V preamp/mount/grip for smartphones & small...
Branded windscreen vs mic flag: let’s compare
Back in 2014, I published the article RT and DirectTV Sports go beyond conventional mic flags by using branded...
Multitrack audio for best control later, versus live mix
In field production or in the studio, ideally, we record every audio source on its own track for absolute...
First look: iKlip A/V preamp/mount/grip for smartphones & small cameras
I have covered mounts and grips before (iOgrapher and The Padcaster). I have reviewed many audio preamps to connect...
Review: Senal ENG-18RL dynamic interview microphone
Omnidirectional dynamic microphones with balanced XLR connections remain the first choice for most ENG (electronic news gathering) organizations to...
Review: two stereo mics for iOS (iPhone/iPad/iPod Touch)
Several manufacturers currently make stereo microphones for the latest iOS devices with direct Lightning connection (recent models of iPhone/iPad/iPod...
Review: Tascam iXJ2 preamp/A>D enables dual-mic/2-channel opportunities for iOS mediography
Although the Tascam iXJ2 preamp/A>D is officially discontinued, fortunately it is still available (for now). Ahead you’ll discover why...
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Production
Exploring the extremes of dynamic range
Post Production
