HP DreamColor Mac connectivity & functionality: update 2012.1
After a period of non-disclosure from HP, I finally have lots of information to report about news regarding DreamColor...
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matte allan
Record audio at 48 kHz on an iPad from a digital source? Yes!
As of the publication date of this article, unfortunately none of the video apps I’ve tested on an iPad...
Part 2: Hybrid XLR/USB/iPad mics that rival expensive studio mics
In part 1 (1st handheld dynamic microphones with hybrid XLR/USB/iPad connectivity from Audio Technica) I covered background information, including...
Blackmagic: We’re ready to remove the Band-Aid!
Despite years of diplomatic prodding on my part, both via articles in ProVideo Coalition magazine and private emails, Blackmagic...
How the Blackmagic Cinema Camera will indirectly take sales from AJA, Matrox, and MOTU
What are you talking about Allan? AJA, Matrox, and MOTU don’t manufacturer or sell cameras! How will the Blackmagic...
Sound Device’s PIX recorders: a closer look as of firmware 1.07
Many people know Sound Devices as a renowned manufacturer of very high-end audio equipment for field production. They make...
Pegasus Thunderbolt RAID5 from PROMISE
As many ProVideo Coalition readers may recall, I have written about disk arrays from PROMISE before, although the last...
Visual Effects Society (VES) Announces Nominees for 10th Annual VES Awards
The Visual Effects Society (VES) today announced the nominees for its 10th Annual VES Awards ceremony recognizing outstanding visual...
DaVinci Resolve training at Staff/HDTV in Guatemala
I just returned from the Republic of Guatemala in Central America, where I interpreted a class for David Catt,...
Why FCP X’s secondary monitor should be 1920×1200, not 1920×1080
While the jury is still out as to whether we can actually trust a calibrated Rec.709 or sRGB monitor...
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