Offlining 24p in Apple’s Final Cut Express
About a year ago I had a client that was working on thirteen episodes of a show, and much...
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psf
Location based mobile cinema
Storytelling becomes a physically viewer controlled experience. A journey of fiction ties to a journey of fact! GPSFILM “The...
ProRes: A Closer Look
The largest issue in post production is maintaining the highest quality for compositing, graphics, effects and delivery; whether that...
Past Issue: February 2009
The articles below were included in the February 2009 edition of the PVC Pipeline | Production newsletter. If you...
DVEO Announces New Affordable Niche Products for NAB 2009
San Diego, CA — DVEO, the broadcast division of Computer Modules, Inc., (CMI) will introduce a wide variety of...
Review: Sony HDW-650F HDCAM Camcorder
The Sony HDW-650F (US$44,950 list) is a 2/3″ 3-CCD 1080i/1080p shoulder-mount HDCAM camcorder using “Power HAD FX” CCDs, a...
Review: Canon Vixia HF11 AVCHD camcorder
The HF11 with LED video light illuminated. Above the LED are the flash and the instant-AF window. The $1199...
Tutorial – How To Get The Most Out Of Your Easy Setup Part 2
In the first of our three part look at the Easy Setup (ES) in Final Cut Pro, we took...
When 25p beats 24p…
There are many times when it makes more sense to shoot and edit video at 25p than at 24p,...
PMW-EX1 Firmware 1.11
23.98PsF output is available on EX1s with firmware 1.11. I’ve upgraded our PMW-EX1 from firmware version 1.03 to firmware...
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Production
Exploring the extremes of dynamic range
Post Production
