Academy of Motion Picture Arts and Sciences gets Cooke Archive
The historic Cooke Archive of original documents and photographs was donated to the Academy of Motion Picture Arts and...
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ART OF THE CUT with “Hillbilly Elegy” editor, James D. Wilcox, ACE
In this interview, James D. Wilcox, ACE discusses editing Ron Howard’s new film Hillbilly Elegy, which is available now...
ART OF THE CUT with the editors of HBO’s Big Little Lies and Sharp Objects
Rarely do we get the directors perspective on Art of the Cut, but as we discuss two binge-worthy TV...
ART OF THE CUT with Anne McCabe, ACE
In 2011, Anne was nominated for an ACE EDDIE for her editing of an episode of Nurse Jackie. In...
PowerShot G5 X Mark II & G7 X Mark III: would Ansel Adams use these cameras?
The new Canon PowerShot G cameras bring some changes to the popular G5 and G7 models, from a pop-up...
Four lenses: a visual comparison, part 2
It’s time to name names. I’m going to tell you what lenses you’ve been looking at for the last...
Four lenses: a visual comparison, part 1
We live in an age of lens choice. Because of this, we also live in an age of lens...
Behind-the-lens nets: a lost art makes a comeback
I’ve always been a little different. That’s the only explanation I have for cutting gels out of Rosco and...
ART OF THE CUT with Hank Corwin, ACE on editing VICE
Hank Corwin, ACE, was nominated for an ACE Eddie for The Horse Whisperer; and for an Oscar and won...
Review: Canon C700 FF Cine Camera, Part 2
Operation For the most part, operating the...
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