Sony framerate policy in 2022: still restrictive & deceiving
Sony is among the last among camera manufacturers which disguises and/or restricts framerates. Sony even treats camera purchasers who...
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Initial Review: Camo Pro, the software CCU for your phone camera
If you have been involved in the engineering end of traditional TV studios and trucks, you already know what...
Review: RØDE VideoMic Go II compact hybrid shotgun microphone
Here is my promised review of the US$99 RØDE VideoMic Go II compact hybrid shotgun microphone, including my own...
First look/commentary: RØDE VideoMic Go II compact hybrid shotgun microphone
I received the brand new US$99 RØDE VideoMic Go II compact hybrid shotgun microphone, which I’ll be reviewing very...
Review: MAONOCaster Lite AU-M200 interface/mixer Premium Bundle
Here is my review on the MAONOCaster Lite AU-M200 interface/mixer Premium Bundle, which includes some very powerful 48 kHz...
Cleanfeed: Back to Chrome
As published in several past articles, for recording a remote co-host or guest at 48 kHz “studio quality” audio,...
Unlock the hidden 25p mode in your current iPhone’s camera app
Since my first articles in ProVideo Coalition magazine in 2008, the elusive 25p (aka 25 fps) framerate has been...
Review: iRig Pre 2 adds two major improvements to the original version
It has been nearly nine years since I reviewed the original iRig Pre from IK Multimedia in December 2012....
Hindenburg replaces Soundflower with its own virtual audio device
Frequent readers will recall that back in January 2018, I published an article called How to install/update Hindenburg Journalist...
Understanding Ecamm Live’s framerates and audio sampling
Although I first reviewed Ecamm Live in March 2020 and later have covered it in countless articles in ProVideo...
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