Adobe Premiere Pro CS 5.5 brings better handling of medium framerate videos recorded as PsF
You may have noticed that even many late model AVCHD cameras shoot medium framerate progressive video (i.e. 1080/25p and...
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NAB 2011 – Sunday Seminars
DP Brian Pearson wields an EPIC as RED’s Ted Schilowitz watches. On Sunday I sat in on several classes...
PluralEyes for Premiere Pro CS5 (Mac) reviewed
If you ever record dual-system audio or multiple camera angles without synchronized timecode, you’ll wonder how you ever survived...
Google political move stifles web video distribution & complicates our workflow
In case you didn’t hear yet, Google recently announced the elimination of support for H.264 in HTML5 video in...
TiVo Premiere for professional use
For a long time, I have had my eye on TiVo to use instead of the Comcast-provided Motorola DVR....
USA Networks’ “Covert Affairs” simulates Venezuela by shooting in Canada
In episode 3 of Covert Affairs, Universal Cable Productions simulated Caracas, the capital city of the South American country...
Does Premiere CS5 achieve the “impossible dream” for critical evaluation monitoring?
Anyone who has ever read the seven articles I’ve published so far about critical video evaluation -be it with...
Datavideo makes a fully executed hand carried mobile studio
Imagine setting up a mobile broadcast studio in less time than it takes to stand in line for a...
Will Adobe’s new Mercury technology provoke a sudden exodus from Final Cut Pro to CS5?
As has already been covered by Chris and Trish Meyer and other colleagues at ProVideo Coalition, Adobe’s new Mercury...
NewTek encores NAB TriCaster upgrade guarantee for NAB 2010
NewTek, manufacturer of TriCaster portable live production systems and 3D software animation products, has just announced the NAB TriCaster...
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