Tip: Create Cinematic Motion Blur in After Effects (and in life)
Quick: what’s the difference between shutter speed and frame rate? You might be surprised that there are even a...
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filmic pro
On Set with Red: A Weary AC’s Rant
While Red was making new product announcements in November 2008, I was busy AC’ing a 10-day Red One shoot....
The Not-So-Technical Guide to the Sony F35
The RED ONE is cheap and good; the Sony F35 is expensive and utterly amazing. Way back in November...
FILMMAKER SAM WASSERMAN MAKES FEATURE DEBUT, ‘THE JOURNAL,’ WITH PANASONIC AJ-HPX3000
SECAUCUS, NJ (January 7, 2009) – Los Angeles-based filmmaker Sam Wasserman chose Panasonic’s AJ-HPX3000 native 1080p one-piece P2 HD...
Making “One Man, One Vote”
Ten years ago a fellow named Marshall Spight posted a challenge on DV-L called “Throwing Down the DV Gauntlet”,...
On Artbeats.com: Using the RED One for Stock Footage
When we heard that Artbeats were shooting stock footage with their new RED One camera, we were curious to...
Spotlight: Fox Sports HD
For our next project spotlight, we’re going to look at a Fox Sports HD promo animated by Joost Korngold...
Rosey Media shoots ‘SNL Digital Shots’ with Panasonic AJ-HPX3000
SECAUCUS, NJ (July 28, 2008) – “Saturday Night Live,” NBC’s Emmy winning late-night comedy show, has launched the careers...
Digital Kitchen shoots preview show with Panasonic AJ-HPX2000 P2 HD camcorders
SECAUCUS, NJ (July 21, 2008) – Heads up and out of that popcorn tub to savor the arresting visuals...
Spinning Gold
In a perfect world, clients supply gorgeous video clips for you to use in the graphics they’ve hired you...
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Production
Exploring the extremes of dynamic range
Post Production
