Sony FX30: a 4K Super 35 camera for future filmmakers
Designed for next-generation filmmakers, the new Sony FX30 features a new back-illuminated APS-C sensor with a dual base ISO...
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New Fujifilm X-H2 has a 40.2MP X-Trans CMOS 5 HR sensor
The new Fujifilm X-H2 mirrorless digital camera is the world’s first APS-C camera to enable 8K/30P Apple ProRes internal...
Panasonic HC-X2/X20 : 4K 60p camcorders with 1.0-Type sensor
Panasonic introduces two professional 4K 60p camcorder equipped with 1.0-Type (1.0-inch) sensor and offering 24.5mm wide-angle (35mm equivalent) and...
Google Meet beats Zoom in audio quality (48 kHz versus 32 kHz typical in Zoom)
Recently, I have been conducting Meetups for fellow writers who want to edit, publish, transform or widely distribute their...
Why ProRes?
Introduction I remember seeing QuickTime 1.0 when I was a teenage nerd with a new Mac LC. That first version...
Blackmagic launches ATEM SDI series of video switchers/mixers
This week, Blackmagic Design launched a new series of portable ATEM SDI live production mixers/switchers with 3G-SDI connections instead...
Video streaming in the era of framerate wars
This situation reminds me of the biblical story of the Tower of Babel. Here are a few examples: Zoom.us...
Sony framerate policy in 2022: still restrictive & deceiving
Sony is among the last among camera manufacturers which disguises and/or restricts framerates. Sony even treats camera purchasers who...
Apple Studio Display: limited to a single framerate?
Compared with the Apple Pro Display XDR, all but one DreamColor models, Sony multisystem consumer HDTV sets I have...
Initial Review: Camo Pro, the software CCU for your phone camera
If you have been involved in the engineering end of traditional TV studios and trucks, you already know what...
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