Review: Blue Radius III shockmount for microphones
When I recently reviewed the SL40 dynamic studio microphone from FDUCE together with the Shure A7WS windscreen, my primary...
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RØDECaster Rodecaster
Google Meet beats Zoom in audio quality (48 kHz versus 32 kHz typical in Zoom)
Recently, I have been conducting Meetups for fellow writers who want to edit, publish, transform or widely distribute their...
Plosive prevention: A7WS, A81WS or WS2, not RK345
Sadly, most people I see and hear vía the Shure SM7B, MV7 and MV7x microphones are using the wrong...
Review: RØDE AI-Micro multiplatform dual channel 48 kHz audio interface
After exhaustive tests with five different microphone models, I am now ready to share my review with you of...
RØDE unveils AI-Micro, new multiplatform dual channel 48 kHz audio interface
About a nanosecond after RØDE’s strict embargo ended on Wednesday, November 3rd at 10 AM AEDT (UTC+11 — Australian...
The making of a indie bilingual parody song from 3 locations
I am not a musician, but I recently endeavored into producing my first song. The song is bilingual, educational...
Hindenburg replaces Soundflower with its own virtual audio device
Frequent readers will recall that back in January 2018, I published an article called How to install/update Hindenburg Journalist...
RØDE Wireless Go II dual mic/recorder kit for ENG and undercover work
This is my ENG/undercover review of the RØDE Wireless Go II system, which features two transmitters (with built-in mics...
Understanding Ecamm Live’s framerates and audio sampling
Although I first reviewed Ecamm Live in March 2020 and later have covered it in countless articles in ProVideo...
Review: Maono PM500 large-diaphragm condenser studio microphone
Here is my detailed review of the new Maono PM500 large-diaphragm condenser studio microphone. I tested it with the...
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