Review: HP DreamColor 4K Z27xs G3 “junior” monitor for video grading & editing
Here is my review of the DreamColor Z27xs G3 “junior”(affordable) (MSRP US$674) based upon the review unit I received...
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Panasonic LUMIX BS1H records anamorphic ProRes RAW with Atomos
Panasonic just announced its new camera, LUMIX BS1H, and Atomos confirmed that the box-style camera will work with either...
Jay Holben, ASC // Frame & Reference Podcast Ep.26
Frame & Reference is a conversation between Cinematographers hosted by DP and PVC Contributing writer Kenny McMillan. Each episode...
Blackmagic Design Announces New HyperDeck Studio
Blackmagic Design today announced a new family of HyperDeck Studio models that feature better design, upgraded codecs and support...
Editing iPhone HDR Video in Final Cut Pro
Last Fall shortly after the iPhone 12 was announced, we published a video where I explained how to work...
Review: Blackmagic Web Presenter HD streaming encoder + shyness fixer
This is my review on Blackmagic’s new “Web Presenter HD”, more appropriately called a standalone web encoder. Who needs...
Átomos Shinobi review: a camera shyness instrument and much more
Frequent readers know that I have been covering —and taming— camera shyness for several years, and that I have...
Sony ZV-1 camera framerate shyness + outgoing modes via HDMI & USB
The Sony ZV-1 camera/camcorder/streamcorder is quite intriguing and has been covered in many reviews by many tech journalists. However,...
Zoom.us establishes 25p as worldwide framerate—Best practices?
Thanks to a panelist on Alex Lindsay’s Office Hours, I discovered (and later verified myself) that Zoom.us has established...
ART OF THE CUT – Cutting “Wonder Woman 1984” with Oscar-nominated editor, Rick Pearson, ACE
Rick Pearson, ACE has been nominated for an Emmy, a BAFTA, multiple ACE Eddies, and an Oscar. He has...
