Review: Blue Radius III shockmount for microphones
When I recently reviewed the SL40 dynamic studio microphone from FDUCE together with the Shure A7WS windscreen, my primary...
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Review: FDUCE SL40 studio dynamic hybrid microphone with A7WS & RØDECaster Pro II
I am privileged to be among the first to be reviewing the new sub US$100 SL40 studio dynamic hybrid...
First look: Zoom F3 2-track 32-bit float recorder with 48 kHz sampling rate
I didn’t buy the ≈US$350 Zoom F3 2-track recorder because of its 32-bit float recording capabilities with true 1528...
Review: RØDE VideoMic Go II compact hybrid shotgun microphone
Here is my promised review of the US$99 RØDE VideoMic Go II compact hybrid shotgun microphone, including my own...
How to measure audio latency? How much delay is tolerable by human beings when monitoring their own voice live?
In many workflow and review articles, I have discussed the benefits of “latency-free” monitoring when it comes to audio...
Review: MAONOCaster Lite AU-M200 interface/mixer Premium Bundle
Here is my review on the MAONOCaster Lite AU-M200 interface/mixer Premium Bundle, which includes some very powerful 48 kHz...
Zoom PodTrak P4 48 kHz—mission possible? 3 workarounds until Zoom updates it
I have been very vocal about the lack of 48 kHz audio sampling frequency in the Zoom PodTrack P4...
Review: RØDE AI-Micro multiplatform dual channel 48 kHz audio interface
After exhaustive tests with five different microphone models, I am now ready to share my review with you of...
Response to reader question, re: podcast extraction for a unusual situation
Recently, a reader contacted me, since he had read my recent article How to extract audio from a video...
Producing an audio opening for radio/podcast
After producing several of them since 2008 for myself and clients, I recently launched a brand new online radio...
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