RØDE launches NT-USB+ condenser studio microphone with DSP inside
Just as we are absorbing and understanding the major impact of the recently released XDM-100, XCM-50 and UNIFY software,...
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RØDE unveils UNIFY software, 2 new mics and a sub-brand: RØDE X
After more than three years in development, RØDE has just unveiled its live streaming and gaming division, RØDE X....
Review: Blue Radius III shockmount for microphones
When I recently reviewed the SL40 dynamic studio microphone from FDUCE together with the Shure A7WS windscreen, my primary...
Google Meet beats Zoom in audio quality (48 kHz versus 32 kHz typical in Zoom)
Recently, I have been conducting Meetups for fellow writers who want to edit, publish, transform or widely distribute their...
Plosive prevention: A7WS, A81WS or WS2, not RK345
Sadly, most people I see and hear vía the Shure SM7B, MV7 and MV7x microphones are using the wrong...
First look: Saramonic SR-HM7 dynamic cardioid ENG/interview microphone
As I have explained in past reviews of ENG (electronic news gathering, aka for interviews and standups) microphones, most...
Review: RØDE NTH-100 professional passive isolating headphones
After several months of non-disclosure agreement/silence and several weeks of daily use, I am delighted to share my review...
Review: MAONOCaster Lite AU-M200 interface/mixer Premium Bundle
Here is my review on the MAONOCaster Lite AU-M200 interface/mixer Premium Bundle, which includes some very powerful 48 kHz...
Review: RØDE AI-Micro multiplatform dual channel 48 kHz audio interface
After exhaustive tests with five different microphone models, I am now ready to share my review with you of...
RØDE unveils AI-Micro, new multiplatform dual channel 48 kHz audio interface
About a nanosecond after RØDE’s strict embargo ended on Wednesday, November 3rd at 10 AM AEDT (UTC+11 — Australian...
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