JVC GY-HM200 versus Sony PXW-X70: Let’s compare them carefully.
(UPDATED ARTICLE) As covered in several prior articles, the Sony PVW-X70 is a true worldcam that can shoot 50...
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How to pick the best cameras for your live TV studio
Picking the best cameras for a live TV studio starts with a key question: Do you want/need a virtual...
4-camera shootout in-studio with greenscreen & TriCaster virtual set
The goal was to compare several cameras that made me curious for studio use with a greenscreen using a...
Review: Logitech K400 wireless keyboard/trackpad (Spanish version)
The Logitech K400 is a combo wireless keyboard/trackpad with excellent build quality. The K400 competes well with Apple’s wireless...
Establishing SCM: a standard Scale for Confidence Monitoring
In a recent article called Confidence: What it means in audio/video production, I defined the concept of confidence in monitoring....
Blackmagic announces Video Assist recorder/monitor at NAB
At NAB in Las Vegas, Blackmagic announced its new Video Assist monitor/recorder. Blackmagic’s new device is clearly aimed to...
In Guatemala, Shogun reverses 29.97PsF pulldown for 8-camera live-switched show via Datavideo HS2800
Staff/HDTV in Guatemala really wanted to record pure progressive 1080/29.97p for its multi-camera TV shoots. They strongly considered NewTek’s...
Video framerates and the Tower of Babel: a translation guide
What does “24p” or “30p” mean when a manufacturer states it? How can we tell if —and when— they...
AJA converts PsF-to-progressive with new Hi5-Plus converter
At its press conference at NAB, AJA launched its new US$395 Hi5-Plus converter which —in addition to converting from...
It’s a calibrated 709 field monitor! No, a 10-bit 4:2:2 recorder! It’s Ninja Blade or Samurai Blade!
It isn’t easy to decide whether to call Átomos’s Samurai Blade or new Ninja Blade (just released this morning...
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Exploring the extremes of dynamic range
Post Production
